johndarnielle:

Are you a person who would like to hear the first ten minutes or so of the Wolf in White Van audiobook? Then, reader, this post is for you!

beesmygod:

semicolson:

hitsvilleuk:

The Internet Is Leaking of the day: There are countless t-shirts with the face of human meme Nic Cage on them, but now we have confirmation that the man himself owns one. We also now know he wears it with a cowboy hat, beaded necklaces, frilled chaps, a cane, and sunglasses indoors at a Guns N’ Roses gig. The world is a remarkably strange place.

Nic Cage has transcended his human avatar and we are not worthy of being in his presence

holy shit

beesmygod:

semicolson:

hitsvilleuk:

The Internet Is Leaking of the day: There are countless t-shirts with the face of human meme Nic Cage on them, but now we have confirmation that the man himself owns one. We also now know he wears it with a cowboy hat, beaded necklaces, frilled chaps, a cane, and sunglasses indoors at a Guns N’ Roses gig. The world is a remarkably strange place.

Nic Cage has transcended his human avatar and we are not worthy of being in his presence

holy shit

so those of you with septum piercings, what would be some good reasons not to get my septum pierced?

wintersoldeirs:

i think i’m in love with my best friend

a pre-serum stucky mix

fanart

[LISTEN]

theenergyissue:

Olafur Eliasson’s “Riverbed” Converts a Museum into a Natural Landscape

Danish-Icelandic artist Olafur Eliasson, known for his large-scale installations employing elemental materials like light, water, earth, and even atmosphere, transformed an entire wing of Denmark’s Louisiana Museum of Modern Art into a riverbed for his first solo exhibition. The work, which uses rocks, soil, and running water to precisely emulate a natural landscape, stands in stark contrast to the white walls of one of Denmark’s most important Modernist buildings. Originally designed in 1958 by architects Jørgen Bo and Wilhlem Wohlert, the Louisiana’s staggered, irregularly sized portals create an experience that highlights movement through space. By filling the Louisiana with a landscape its galleries might have replaced, Eliasson heightens the haptic qualities of this experience and points to the reality of the museum as an institution and a physical locality. The work raises the question of how natural and built environments might intersect, though it is up to the viewer to decide whether this tension is constructive or destructive.

(Source: dezeen.com)

I wouldn’t necessarily mind people not knowing I’m gay, but I don’t like being thought of as straight — in the same way that I don’t mind people not knowing I’m a writer, but it would be awkward if they assumed I was an extreme skateboarder, because that’s so far removed from the reality of my life. But there is no blank slate where orientation is concerned; we are straight until proven otherwise. And if you’ve never seen how dramatically a conversation can be derailed by a casual admission of homosexuality, let me tell you, it gets awkward.
  

bitter1:

Daniel Johnston - True Love Will Find You In The End

thegestianpoet:

how many of y’all female artists have sketched or doodled things like a headless venus di milo type bust without ever considering the power structures that make that image of a woman with no head or face or arms so appealing and recognizable?? i know i have and when i thought about it i was like “ew” 

iwriteaboutfeminism:

Ferguson protesters gather for highway shutdown, Sept. 10th. 

Part 1